
Red carpet fashion has moments you never forget. Anya Taylor-Joy showed everyone such a time. She wore a really bold dress in Sydney. It was for the premiere of her movie *Furiosa*. This look made a huge impact fast.
Walking on the carpet felt special. Her dress looked amazing but difficult too. That fit her tough character’s style well. People watched every single step closely. The outfit seemed like art you could wear.
The dress came from old Paco Rabanne work. He often used strange materials in his designs. This specific piece is from his 1996 collection. It showed she really loves fashion history. Wearing a vintage dress like this takes confidence.

Her stylist, Ryan Hastings, picked the outfit. Choosing this older design felt very clever. Rabanne built clothes from things like metal or plastic. His looks felt both old and new at times. He changed what clothing could be made of.
Anya wore a small see-through dress that night. It wrapped around her body like chain links. This was something Paco Rabanne did often. Lots of small copper and silver bits were connected. The metal pieces gleamed much under the lights.
You could see her underwear through the chains. This wasn’t just about being sexy for some. It seemed more like being exposed, like characters in *Mad Max*. The metal outside looked like protective armor. The short shape kept the look very modern.
What truly stood out was the spikes. Dozens of sharp points came from the dress skirt. These turned the outfit into something aggressive. It perfectly showed the tough *Furiosa* vibe. The arrow spikes attached right to the metal chains.

The arrows had small details on their ends. Each point was tipped with a round shape. These little balls had tiny shiny jewels on them. It added sparkle to the harsh metal points. Hard and soft mixed together on the dress. This felt like finding beauty in a wasteland.
People talked about how she could wear this thing. The spikes made it hard to sit down ever. It seemed impossible to just be comfortable. The dress was not made for easy movements. It was more like a visual costume piece.
A big matching headpiece added to the feel. It was made of the same silver and copper shapes. The piece covered her head and hid her hair well. It also had arrows coming out like a sunburst. This shape looked formidable from her head down.
The headpiece felt like more than just accessory item. It was key to the whole dramatic style. It framed her face tightly but covered her hair. This made the metal design the star of the look. The intense outfit suited the film’s world too.